Posts Tagged ‘Intransitive’
Mike Bullock Video “First Disappearance”
Wednesday, August 17th, 2011
Mike Bullock‘s new album, Mild Disappearances, made its appearance (ahem) on Intransitive’s Songs From Under the Floorboards imprint and we are pleased as heck about it. Here at INT-HQ, we’ve been fans of Mike’s music ever since… oh, ever since he was a jazz/klezmer bass player more than a decade ago. Yipes, how he’s changed. [...]
New Year’s Noise! Intransitive at First Night Boston
Monday, December 27th, 2010
Intransitive Recordings is proud to once again take part in Boston’s First Night, the official New Year’s Eve celebration of the City of Boston. Join us on December 31st from 7pm until 11pm at the Hynes Convention Center for an evening of exciting music, featuring: XELA C. SPENCER YEH (solo violin and electronics… new CD [...]
Should We Teach Experimental Music to Children? Part 3
Thursday, November 18th, 2010
For children, nothing is a problem if you present what you know as you know it and if you don’t try to oblige them with a detached attitude.
Scene Not Heard: Prague, Czech Republic
Saturday, October 30th, 2010
Jorge Boeringer, aka Core of the Coalman, talks about the experimental music scene in “the Twin Peaks of Europe”
Mondo Marhaug: A Film Diary 4
Wednesday, October 20th, 2010
The noise legend views Stan Brakhage, killer CGI piranhas, and “slow-paced arty-farty erotic vampire cinema”.
Brendan Murray & Christoph Heeman, Boston 10/8
Saturday, October 2nd, 2010
Non-Event and the Goethe-Institut Boston present CHRISTOPH HEEMANN with Brendan Murray Goethe-Institut Boston 170 Beacon Street Boston, MA 02116 8 p.m. / $15 617.262.6050 CHRISTOPH HEEMANN is one of the most enigmatic figures in European drone music. In 1984, Heemann and his brother Andreas Martin formed the seminal experimental music project, Hirsche Nicht Aufs Sofa [...]
Should We Teach Experimental Music to Children? Part 1
Monday, September 27th, 2010
Integrating even minor concepts of improvisation early on can help prepare children for a wide range of situations later on. They might even be able to look at problematic situations as play.
I Was a Gurgling Mess: Dylan Nyoukis
Monday, September 27th, 2010
“Reading (Bananafish) magazine from cover to cover for the first time was like receiving a glorious brain enema of shimmering gloop. That, artistically for me, was year zero.”
The Burden of Entertainment
Thursday, September 23rd, 2010
Max Neuhaus’ transition from dramatically under-dressed percussionist to a maker of nearly imperceptible sound installations.